Parts One and Two
352 pages
English language
Published Nov. 7, 2017
The official playscript of the original West End production of Harry Potter and the Cursed Child. It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. The playscript for Harry Potter and the Cursed Child was originally released as a 'special rehearsal edition' alongside the opening of Jack Thorne's play in London's West End in summer 2016. Based on an original story by J.K. Rowling, John Tiffany and Jack Thorne, the play opened to rapturous reviews from theatregoers and …
The official playscript of the original West End production of Harry Potter and the Cursed Child. It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. The playscript for Harry Potter and the Cursed Child was originally released as a 'special rehearsal edition' alongside the opening of Jack Thorne's play in London's West End in summer 2016. Based on an original story by J.K. Rowling, John Tiffany and Jack Thorne, the play opened to rapturous reviews from theatregoers and critics alike, while the official playscript became an immediate global bestseller. This revised paperback edition updates the 'special rehearsal edition' with the conclusive and final dialogue from the play, which has subtly changed since its rehearsals, as well as a conversation piece between director John Tiffany and writer Jack Thorne, who share stories and insights about reading playscripts. This edition also includes useful background information including the Potter family tree and a timeline of events from the wizarding world prior to the beginning of Harry Potter and the Cursed Child.
A story full of thrill, action, wit and relationships. Enjoyed the dialogues a lot and totally fell in love with Scorpius.
Didn't expect to enjoy reading a playwright that much.
Z jednej strony ogromną przyjemność sprawił mi powrót do Świata Magii wykreowanego przez panią J. K. Rowling. Szczególnie, że Harry jest teraz w prawie moim wieku...
Ale ogólnie rzecz biorąc, nowy Harry Potter specjalnie porywający nie jest. Być może to wina formy książki – jako scenariusza, sztuki teatralnej, gdzie wszystko dzieje się błyskawicznie, w dialogach i monologach, a didaskalia niewiele dają czytelnikowi. Jak każdy utwór sceniczny, Przeklęte Dziecko najlepsze wrażenie na nas zrobi, gdy je obejrzymy w teatrze – to raczej rzecz oczywista.
Co do treści – cóż, wszystko to już gdzieś było. Bardzo mocno wyczuwam – chyba nie zamierzone, choć nie wiem, czym się twórcy inspirowali – podobieństwo fabuły do "20 lat później" Aleksandra Dumasa.
Cztery gwiazdki daję głównie przez sentyment. Do potterowskiego kanonu jednak ta książka mi nijak nie pasuje.
