You are really brough into the world of Dune the book sucks you in with intrigue as it reveals how the world works and how the people of Arrakis live, the book can drag on in some parts but it is well written and gives you a real feel for the world.
I wish I could give half-stars, because I probably would have given Dune a personal rating of 3.5/5.
I liked the story. I was able to fully immerse myself in the lore and the immaculate worldbuilding. And that was really something I have rarely seen anywhere else. I was contemplating whether to give this 3 or 4, but had to round up for the creativity in this area alone. I truly loved it.
My issue is mainly with the level of detail and the language. Some scenes are so excellently written that I felt like I was part of them, observing everything around me, noticing all the small things happening myself. Others, especially those concerned with Paul's inner conflicts, were almost excruciatingly abstract. And even though the language was beautiful throughout, I often found myself losing track in those sections (and, occasionally, genuinely having trouble understanding things linguistically, even with …
I wish I could give half-stars, because I probably would have given Dune a personal rating of 3.5/5.
I liked the story. I was able to fully immerse myself in the lore and the immaculate worldbuilding. And that was really something I have rarely seen anywhere else. I was contemplating whether to give this 3 or 4, but had to round up for the creativity in this area alone. I truly loved it.
My issue is mainly with the level of detail and the language. Some scenes are so excellently written that I felt like I was part of them, observing everything around me, noticing all the small things happening myself. Others, especially those concerned with Paul's inner conflicts, were almost excruciatingly abstract. And even though the language was beautiful throughout, I often found myself losing track in those sections (and, occasionally, genuinely having trouble understanding things linguistically, even with context – I didn't expect that it would encounter difficulties like that at all). Since those sections focused on Paul's interior are so crucial to Paul's development, and his development is, like, the main point of the book, I felt a bit lost, not really being able to trace how we'd gotten from the beginning to the end. I really only had this problem with Paul, not with any of the other characters. FWIW, Dune 2 (the movie) ended up having the same problem (to an even bigger extent, since the inner workings of Paul were not as exposed in it and the passing of time wasn't as clear).
I still think it was good - I just had a hard time with the main protagonist and that's why it failed to truly captivate me. Again, a lot (most) of it was really amazing. But it feels like I failed to grasp the entire thing, which is a bit sad. I'll probably continue reading the series at some point, though not sure when.
He leído el libro después de ver las películas. Sólo puedo decir que qué maravilla de adaptación. ¿Se puede dar el caso en que la lectura te lleve a valorar todavía más la adaptación a la pantalla? Se puede y este es uno de esos casos.
Since I watched the movies first, I was happy to have one of my main fears dissapear completely during the first couple chapters. Many of the plot twists present on both movies are actually things the reader just knows from the start. The betrayal and the plot against House Atreides, the people behind it and the reason for it can be inferred quickly enough.
Herbert’s confidence in the world he wrote can end up being too much to a lot of people. From the beginning of the novel, characters throw around a lot of made up terms that can be confusing, and in a setting where Dukes, Counts and Emperors, Great Houses and Cults are still a thing, alongside intergalactic travel and human calculators, the politics and relationships of it all are quite complex.
The book doesn’t hold your hand at all. There are references and intriguing events from long …
Since I watched the movies first, I was happy to have one of my main fears dissapear completely during the first couple chapters. Many of the plot twists present on both movies are actually things the reader just knows from the start. The betrayal and the plot against House Atreides, the people behind it and the reason for it can be inferred quickly enough.
Herbert’s confidence in the world he wrote can end up being too much to a lot of people. From the beginning of the novel, characters throw around a lot of made up terms that can be confusing, and in a setting where Dukes, Counts and Emperors, Great Houses and Cults are still a thing, alongside intergalactic travel and human calculators, the politics and relationships of it all are quite complex.
The book doesn’t hold your hand at all. There are references and intriguing events from long ago that came and went and help give you an idea of the state of affairs, such as the interesting computers, for example, but a lot is left for the reader to figure out and fill the gaps as they keep reading. I think the movies helped me get through this much quicker too.
The story begins after House Atreides is put in charge of Arrakis, a planet with the most valuable substance in the galaxy, the spice melange. A drug that is essential for space travel, can improve the user’s life-span, awareness and many other things.
The planet is a huge desert, making for a harsh environment nobody would bother to live on, where water is scarce and as valued as spice. Despite this, it is inhabited by the Fremen, people who have managed to tame the desert, and resist the heavy rule of the Harkonnens, who up until then had been the House harvesting the planet’s resources for the Empire.
Our protagonist, Paul Atreides is the son of Duke Leto and Lady Jessica; and he'll finds himself entangled in the middle of prophecies, visions and politics in a path that would lead him to do what he thinks is right, but at what cost?
The novel deals with many different topics, such as the fight over natural resources, the dangers of organized religion, capitalism and freedom and things.
Some people might not like the politics at the start, others will not enjoy the spirituality later on, and a few will find everything weird and confusing and with cringy prose. I kind of loved it, I can see why this novel is among the greats, and how it has served as the inspiration of tons of different works over the decades, and it will keep on giving for years to come.
Every character has their motivations, their perspectives and interactions. There is conflict even between allies, family and friends, and it is simply so intriguing and it all feels like a big disaster and a terrible tragedy, but that is still the best possible outcome of it all.
It was a cool read, I am considering reading the next books by Frank, but we’ll see, I kind of want to read a ton of different authors, which I’ve been doing since the year begun, so maybe next year will be the year of reading full book series for a change.
Arrakis teaches the attitude of the knife - chopping off what’s incomplete and saying: “Now, it’s complete because it’s ended here.” — from “Collected Sayings of Maud’Dib’’ by the Princess Irulan
Es gibt wohl kaum was, was über Dune und seinen den Einfluss auf die Science Fiction.
Mir persönlich beeindruckte die Beschreibung des Lebens in der Wüste und die allumfängliche Kostbarkeit des Wassers
Boka startet litt treg og komplisert, men etter hvert som jeg kom inn i det ble jeg fanget av historien! Spennende kombinasjon av både kultur, religion og politikk. Nå må jeg videre til å lese Dune: Messiah!
it took me ages to get through this. not because it's bad, probably mostly because i repaired my computer and had.. other things on my mind. but also partly because herbert's style reminds me of tolkien. like, a lot. at least in the sense that herbert really wants you to read his mediocre poetry too.
this isn't bad by any means, and i will surely read on in the future. probably around the time the second movie hits. the characters are fleshed-out and there's surprisingly little overt misogyny for a science fiction book that is, at this point, positively ancient. it's just the constant internal monologuing and then rushing through the actual happenings that gets exhausting after a while.
